Literatura en inglés II:
Renaissance Literature
Dra. Gabriela Villanueva Noriega
General
Description
The course aims
to provide a general, critical overview of the literature produced in England
throughout the sixteenth century. The course will be organized thematically and
will cover the main traditions that conform the Elizabethan world picture:
Humanism, Neoplatonism, the Printing Revolution, the Reformation, the visions
of New World, classical lyric modes, authorship, drama, etc. The course will
cover the main changes and transformations that took place during the period
and will aim to understand works of literature through this lens.
Aims
Apart from
offering a broad view of the literary works produced during this time, the
course intends to develop reading skills in the students that will enable them
to respond in an informed and critical manner to texts in general. The course
aims to destabilize preconceived notions such as author, history, originality,
space, etc.
Requirements
and assessment
Active and
informed responses to the texts will weigh heavily in the assessment of the
course because so much of the development of good scholarship depends on
formulating pertinent questions and debating readings and misreadings. Each session, one student will present
briefly (20 minutes) the prescribed text. This will be equal to a 30% of the
final grade. The presentation will be the starting point of the debate in which
all students should engage at least once (30% of the grade). At the end of the semester there will be a
final exam (40%) that will assess both reading skills and general knowledge of
the topics of the course. Attendance will not be taken each class but it will
be crucial to earn a good grade.
Topics
and reading list
16 sessions
Introduction: The Renaissance as historical concept; Scholasticism vs.
Humanism: reading as method.
Cosmic order and correspondences, Neoplatonism, Elizabethan english, EEBO. (February 9th).
Platonism and the New World: Sir Thomas More, Utopia, NAEL (February 16th)
Reformation and the Bible, "Faith in Conflict" excerpts from the NAEL (February 23rd)
Humanist prose and power: Roger Ascham, The Schoolmaster; Lady Jane Grey, excerpts NAEL; Baldassare Castiglione (translated by Sir Thomas Hoby), The Book of the Courtier, excerpts from NAEL. (March 2nd)
The Elizabethan Age: Elizabeth I, excepts from NAEL. (March 9th)
Developing a sense of nationality: Edmund Spenser: The Faerie Queen, excerpts from NAEL (March 16th).
World, Providence, History and Empire: Walter Raleigh, excerpts from NAEL (March 23rd).
Travel writing: The Wider World from NAEL (30th).
MIDTERM EXAM: APRIL 6TH
Early
Petrarchan poetry in English: Italian lyric and continental models: Henrician
poets: Thomas Wyatt, Henry Howard, Earl of Surrey, all the poems in the NAEL (April 20th)
Development of a new poetics: Sir Philip Sidney, Arcadia, Defense of Poesie; John Lyly, Euphues: The Anatomy Of Wit, from NAEL. (April 27th)
The English Sonnet: Sir Philip Sidney (1554-1586), Astrophel and Stella, Edmund Spenser, Amoretti, Shakespeare, Sonnets. Excerpts from the NAEL. (May 4th)
New styles: Chistopher Marlowe, Hero and Leander; Shakespeare Venus and Adonis. (May 11th)
Elizabethan Drama: Christopher Marlowe; The Tragical History of Doctor Faustus. (May 18th)
Shakespeare, Twelfth Night (May 25th).
Cosmic order and correspondences, Neoplatonism, Elizabethan english, EEBO. (February 9th).
Platonism and the New World: Sir Thomas More, Utopia, NAEL (February 16th)
Reformation and the Bible, "Faith in Conflict" excerpts from the NAEL (February 23rd)
Humanist prose and power: Roger Ascham, The Schoolmaster; Lady Jane Grey, excerpts NAEL; Baldassare Castiglione (translated by Sir Thomas Hoby), The Book of the Courtier, excerpts from NAEL. (March 2nd)
The Elizabethan Age: Elizabeth I, excepts from NAEL. (March 9th)
Developing a sense of nationality: Edmund Spenser: The Faerie Queen, excerpts from NAEL (March 16th).
World, Providence, History and Empire: Walter Raleigh, excerpts from NAEL (March 23rd).
Travel writing: The Wider World from NAEL (30th).
MIDTERM EXAM: APRIL 6TH
Development of a new poetics: Sir Philip Sidney, Arcadia, Defense of Poesie; John Lyly, Euphues: The Anatomy Of Wit, from NAEL. (April 27th)
The English Sonnet: Sir Philip Sidney (1554-1586), Astrophel and Stella, Edmund Spenser, Amoretti, Shakespeare, Sonnets. Excerpts from the NAEL. (May 4th)
New styles: Chistopher Marlowe, Hero and Leander; Shakespeare Venus and Adonis. (May 11th)
Elizabethan Drama: Christopher Marlowe; The Tragical History of Doctor Faustus. (May 18th)
Shakespeare, Twelfth Night (May 25th).
Further
Reading
Bolgar, R. R, The classical
heritage and its beneficiaries, Cambridge: Cambridge University
Press, 1958.
Eisenstein, Elizabeth, The Printing
Revolution in Early Modern Europe, Cambridge: Cambridge University Press, 1983.
Grafton Anthony, Defenders of the text : the traditions of scholarship
in an age of science, 1450-1800,
Cambridge, Mass: Harvard University Press, 1991.
Greenblatt, Stephen J., Renaissance
Self-Fashioning, Chicago: University of Chicago Press, 1980.
Rivers, Isabel, Classical and
Christian Ideas in English Renaissance Poetry. A Students’ Guide, New York
and London: Routledge, 1992.
Spiller, Michael R. G., The
Development of the Sonnet. An Introduction, New York and London: Routledge,
1992
Tillyard, E.M.W., The
Elizabethan World Picture, London: Penguin, 1943.
Yates, Frances A., Ensayos reunidos III: Ideas e ideales del Renacimiento
en el norte de Europa, México, FCE, 1967.
No hay comentarios:
Publicar un comentario